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Composing, songwriting, and producing: Diversifying popular music pedagogy

To Cite or Download the Article: Tobias, E. S. (2013). Composing, songwriting, and producing: Diversifying popular music pedagogy. Research Studies in Music Education, 35(2), 213-237. doi:10.1177/1321103X13487466 My article Composing, songwriting, and producing: Informing popular music pedagogy draws on research from my dissertation and addresses an expanded perspective on creating music in the context of producing music. I make a case for broadening how we discuss and address composing and songwriting to include aspects of producing music and also suggest that… Read More »Composing, songwriting, and producing: Diversifying popular music pedagogy

Toward Convergence: Adapting Music Education to Contemporary Society and Participatory Culture

Tobias, E. S. (2013). Toward convergence: Adapting music education to contemporary society and participatory culture. Music Educators Journal, 99(4), 29–36. doi:10.1177/0027432113483318 The digital supplement providing examples of the varied musical practices I discuss in the article. (Also available on the NAfME Bonus Content website). Also included in the same issue of the MEJ is: A thoughtful and nuanced response written by Thomas Regelski. My condensed response to Regelski’s response as published in the MEJ. A complete response is available on… Read More »Toward Convergence: Adapting Music Education to Contemporary Society and Participatory Culture

Considering the “next great copyright act”

Wired recently published an article titled “Copyright Chief Urges Congress to Produce ‘Next Great Copyright Act’ regarding upcoming testimony on copyright to congress.  As Mitch Stoltz and Parker Higgins from the Electronic Frontier Foundation state “if it’s open season on the Copyright Act, let’s be involved from the start.” Music educators ought to be a part of any conversation concerning new copyright laws. Whether addressing issues related to engagement with digital music or what students and teachers can or cannot do… Read More »Considering the “next great copyright act”

From Old School to New Schulwerk: Addressing Sound Worlds of Contemporary Popular Music

From Old School to New Schulwerk: Addressing Sound Worlds of Contemporary Popular Music  Evan S. Tobias To Cite or Download the article:  Tobias, E. (2011) From Old School to New Schulwerk: Addressing Sound Worlds of Contemporary Popular Music.The Orff Echo, 43(4), 19-23. This article, written for the Orff Echo, addresses considerations for integrating popular music in elementary music classrooms. In the article I draw on how Doug Goodkin (2001) frames Whitehead’s notions of romance, precision, and generalization in terms of… Read More »From Old School to New Schulwerk: Addressing Sound Worlds of Contemporary Popular Music

Expanding Secondary Music Curricula: A look at students engaging with popular music, technology, and creating original music

Tobias, E. S. (2012). Hybrid spaces and hyphenated musicians: Secondary students’ musical engagement in a songwriting and technology course. Music Education Research, 14(3), 329-346. A research article I wrote entitled Hybrid spaces and hyphenated musicians: Secondary students’ musical engagement in a songwriting and technology course is now available in the journal Music Education Research. Below is the article’s abstract: This case study investigates how secondary students (three individuals and three groups) engaged with music and acted as musicians in a… Read More »Expanding Secondary Music Curricula: A look at students engaging with popular music, technology, and creating original music