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music education

Maker culture and music education: Programming a digital ornament with music and lights with MakeCode

How diverse are the forms of musical engagement that we support in music programs? I think music education, particularly in K-12 contexts could be much more expansive in terms of the types of musical engagement we include or address in music programs. Combining music education and maker culture as STEAM education has great potential. Here’s a post on combining music, computational thinking, and physical computing as a form of arts-driven STEAM education. TL;DR Last year (2018), I created a digital… Read More »Maker culture and music education: Programming a digital ornament with music and lights with MakeCode

Video Games & Music Education: The Potential of narrative & musical branching

What do you imagine in sound and imagery when thinking about video games and music education?

A theme I’ve explored throughout my writing and teaching related to video games and music education (O’Leary & Tobias, 2017; Tobias, 2012; Tobias & O’Leary, 2017) is that there are many more possibilities than focusing primarily on rhythm action games in connection to performing instruments.

Inviting students to create and perform dynamic and adaptive music for video games has so much potential. I have the sense that addressing this more non-linear approach to musical engagement is rare (at this point) in music programs. It is probably more common for students in music programs to perform arrangements of video game theme music in large ensembles than to create and perform their own music for video games.

When I saw this tweet by composer Austin Wintory, I wondered if the video clip he created could catalyze related projects in music programs:

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The Potential of StyleSwaps in Music Education

While looking up some info on Post Malone’s Better Now I came across Simon De Witt’s (AKA Blanks) 80s Version of Better Now. Here are both versions:


StyleSwap(s) and Music Education

De Witt (Banks) refers to his 80s vision of Better Now as a StyleSwap. In fact, Banks has a YouTube Channel of StyleSwaps I’ll post below. Whether you think of a StyleSwap as an arrangement, stylistic transformation, or creative cover or some other concept, from my perspective it has a lot of potential as a form of musical engagement for students in music programs.

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Exploring “Mine” and “7 Rings” Through Public Forensic Musicology

Does Ariana Grande’s “7 Rings” copy Princess Nokia’s “Mine” ? I’m a proponent of music programs inviting students to engage in public forensic musicology or as “musical detectives” as a form of musical engagement and learning. Here’s a recent example of an artist accusing another artist of copying their music. In this case, Princess Nokia is accusing Ariana Grande of copying Nokia’s Mine with Grande’s 7 Rings. Some people are also suggesting that 7 Rings also mimics aspects of flow… Read More »Exploring “Mine” and “7 Rings” Through Public Forensic Musicology

NAfME 2018: STEAM, Maker Culture, Music Education

This post contains resources and references from our NAfME 2018 presentation: STEAM, Maker Culture, and Music Education presented by: Evan Tobias (Assoc. Prof. Music Education, Arizona State University) Ryan Bledsoe (PhD Student, Arizona State University) Nathan Botts (PhD Student, Arizona State University & Museum Educator @ Musical Instrument Museum) Jenny Madruga Chavez (BM Music EdAlumn and Masters in Vocal Performance @ Arizona State University & Current Music Teacher in Phoenix, AZ) Resources Access resources on STEAM and Maker Culture curated by the… Read More »NAfME 2018: STEAM, Maker Culture, Music Education