Tobias, E. S. (2014). Solo, multitrack, mute? Producing and performing (gender) in a popular music classroom. Visions of Research in Music Education, 25, 1-29.
My article Solo, multitrack, mute? Producing and performing (gender) in a popular music classroom is now published in Visions of Research in Music Education (VRME). For those unfamiliar with VRME, it is an open-access journal, which means that all articles are available for free on the journal’s website. An earlier version of this article was presented as a paper at the 2011 Feminist Theory and Music Conference. The abstract is as follows:
This study applies secondary analysis to amplify the voices, perspectives, and experiences of young women in a high school songwriting and technology course along with related research to address the production and performance of music and gendered identities and implications for popular music pedagogy. While each participant had idiosyncratic experiences and perspectives, several common themes emerged in relation to gender. Each young woman participant negotiated and had varied perspectives on collaborating, compromising, and accommodating for others on the final project. Participants identified and discussed issues of control in relation to technology and intersections between gender in the music course and society, however, had differing perspectives on these issues with implications for curriculum and pedagogy. Informed by findings, analysis, and related scholarship I propose four foci with potential for future research and praxis: broadening beyond gendered norms, goals of popular music programs, uncomfortable conversations, and popular music programs as springboards and hubs.
- Tom Tom Magazine
- Bitch Magazine’s feminist perspectives on current music
- Chicks With Picks
- Girls Rock Camp Alliance
- Women in Music
- Women’s Audio Mission
- NAfME Gender and Sexuality Special Interest Group
- Gender Research in Music Education (GRIME) an international organization
- Gender, Education, Music, and Society (GEMS) research journal of GRIME
Unfortunately, since the time the article was submitted for publication, the organization Musicians for Equal Opportunities for Women has disbanded due to a career change of its organizer. The website is no longer active and I discovered the following message posted to its Facebook page:
Hopefully in the near future society will no longer need such advocacy groups. In the meantime music educators ought to play an active role in working towards equity and education!