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Toward Convergence: Adapting Music Education to Contemporary Society and Participatory Culture

Tobias, E. S. (2013). Toward convergence: Adapting music education to contemporary society and participatory culture. Music Educators Journal, 99(4), 29–36. doi:10.1177/0027432113483318 The digital supplement providing examples of the varied musical practices I discuss in the article. (Also available on the NAfME Bonus Content website). Also included in the same issue of the MEJ is: A thoughtful and nuanced response written by Thomas Regelski. My condensed response to Regelski’s response as published in the MEJ. A complete response is available on… Read More »Toward Convergence: Adapting Music Education to Contemporary Society and Participatory Culture

Let’s play! Learning music through video games and virtual worlds

Tobias, E. S. (2012). Let’s play! Learning music through video games and virtual worlds. In G. McPherson & G. Welch (Eds.), Oxford handbook of music education (Vol. 2, pp. 531-548). Oxford, England: Oxford University Press. DOI: 10.1093/oxfordhb/9780199928019.013.0035 This chapter examines the ways video games promote musical learning and engagement. It begins by outlining the background and current scope of music-focused video games. It then situates video games in terms of new literacies. Next, it provides a theoretical framework that supports… Read More »Let’s play! Learning music through video games and virtual worlds

Breaking Winds Bassoon Quartet: A model for contemporary musicianship and additional directions for school ensembles

During my presentation at the NAfME Composition Academy this past Music Education Week I mentioned the Breaking Winds Bassoon Quartet, but forgot to include a link to their Kickstarter Project Page in my handout. There was quite a bit of discussion related to arrangement throughout several of the composition academy presentations. Dr. Rob Deemer and Dr. David Stringham in particular provided some excellent strategies for including arrangement processes in music programs and our own music making as educators. The BWBQ… Read More »Breaking Winds Bassoon Quartet: A model for contemporary musicianship and additional directions for school ensembles

Expanding Secondary Music Curricula: A look at students engaging with popular music, technology, and creating original music

Tobias, E. S. (2012). Hybrid spaces and hyphenated musicians: Secondary students’ musical engagement in a songwriting and technology course. Music Education Research, 14(3), 329-346. A research article I wrote entitled Hybrid spaces and hyphenated musicians: Secondary students’ musical engagement in a songwriting and technology course is now available in the journal Music Education Research. Below is the article’s abstract: This case study investigates how secondary students (three individuals and three groups) engaged with music and acted as musicians in a… Read More »Expanding Secondary Music Curricula: A look at students engaging with popular music, technology, and creating original music

Creating, Producing, Analyzing, & Critiquing Music in the Cloud: IndabaMusic & Music Education

Music educators can benefit from the increasing sophistication and ease of use of music web-based technologies allowing for a wide range of musical engagement. IndabaMusic is one such technology with great potential for music educators looking to have their students create, record, produce, listen to, analyze, and critique music. This web-based platform makes it easy for students to collaborate on projects in ways similar to that of professional musicians working together across the globe. In addition to serving as a… Read More »Creating, Producing, Analyzing, & Critiquing Music in the Cloud: IndabaMusic & Music Education