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Solo, multitrack, mute? Producing and performing (gender) in a popular music classroom

Tobias, E. S. (2014). Solo, multitrack, mute? Producing and performing (gender) in a popular music classroom. Visions of Research in Music Education, 25, 1-29. My article Solo, multitrack, mute? Producing and performing (gender) in a popular music classroom is now published in Visions of Research in Music Education (VRME). For those unfamiliar with VRME, it is an open-access journal, which means that all articles are available for free on the journal’s website. An earlier version of this article was presented… Read More »Solo, multitrack, mute? Producing and performing (gender) in a popular music classroom

Music Education Policy & Department of Education’s Proposed Teacher Preparation Regulation Overhaul

The U.S. Department of Education recently proposed new regulations on teacher education preparation programs that largely mirror the “value added measures” approach focusing on teacher accountability in K-12 schools. For some perspective from experts in music teacher education, you can read the Society for Music Teacher Education’s updated post Public Comment on Proposed Rules for Teacher Preparation Program Reporting. For a sense of the general perspective on the proposed regulations among experts in teacher education you might be interested in… Read More »Music Education Policy & Department of Education’s Proposed Teacher Preparation Regulation Overhaul

Flipping the misogynist script: Gender, agency, Hip Hop, and music education

Tobias, E. S. (2014). Flipping the misogynist script: Gender, agency, Hip Hop, and music education. Action, Criticism and Theory for Music Education, 13(2), 49-84. In my article Flipping the misogynist script: Gender, agency, Hip Hop, and music education I make a case for including Hip Hop in music programs through a critical media literacy framework and providing students diverse opportunities to address socio-cultural and musical issues through related musical engagement. In particular I address issues of gender and agency as… Read More »Flipping the misogynist script: Gender, agency, Hip Hop, and music education

The Oxford Handbook of Qualitative Research in American Music Education

The Oxford Handbook of Qualitative Research in American Music Education is now will be available May 1. This handbook promises to be a wonderful resource for people who want to learn more about or are engaging in qualitative research in music education. For many, it might serve as a starting point for research projects to assist in their design and methods. The handbook addresses critical issues, specific designs and methods, and syntheses of qualitative research in music education pertaining to… Read More »The Oxford Handbook of Qualitative Research in American Music Education

Crossfading music education: Connections between secondary students’ in- and out-of-school music experience

To Cite or Download the Article: Tobias, E. S. (2014). Crossfading music education: Connections between secondary students’ in- and out-of- school music experience. International Journal of Music Education, 1-18. doi: 10.1177/0255761413515809 If you do not have institutional access to International Journal of Music Education and would like a copy of the article, contact me via email or with a note in the comment section. My article “Crossfading music education: Connections between secondary students’ in- and out-of-school music experience” is now… Read More »Crossfading music education: Connections between secondary students’ in- and out-of-school music experience