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composing

Eric Whitacre, participatory culture, and remixing the virtual choir

Music educators can embrace participatory culture and related musical engagement right now by providing students with the opportunity to remix Eric Whitacre’s composition Fly to Paradise, the fourth virtual choir piece. To assist in the remixing process Whitacre’s team made individual tracks of the final master available. Remixes can be listened to on a dedicated Soundcloud group. The process of remixing this music and all of the related discovery, performing, creating, responding, and connecting that occurs could be productive in… Read More »Eric Whitacre, participatory culture, and remixing the virtual choir

Multimedia, Intermedia, Music, Media Arts, and evolving curricula: Robert Black’s Possessed Project

Throughout the years I’ve found Bang on A Can to be an inspiration for music education. Whether their flexible ensemble structures, their hyphenated musicianship in terms of many members being both composers and performers, their people’s commissioning fund and a broad range of other initiatives, music educators could learn a lot from Bang on a Can’s forward thinking. Most recently the Bang on a Can All-Stars founding member and bassist Robert Black is launching a project entitled Possessed that combines… Read More »Multimedia, Intermedia, Music, Media Arts, and evolving curricula: Robert Black’s Possessed Project

Music, Expression, Responding to Current Events, Trayvon Martin, & National Music Standards

Music plays numerous important functions in society and as part of the human experience. Merriam (1964), for instance, outlines 10 functions of music. Several functions of music apply to the role that music can play in responding to current events, such as the death of Trayvon Martin, recent acquittal of George Zimmerman and related issues. The following four functions of music hold particular relevance in this context: Emotional expression (including the opportunity to provide people with a variety of emotional… Read More »Music, Expression, Responding to Current Events, Trayvon Martin, & National Music Standards

Composing, songwriting, and producing: Diversifying popular music pedagogy

To Cite or Download the Article: Tobias, E. S. (2013). Composing, songwriting, and producing: Diversifying popular music pedagogy. Research Studies in Music Education, 35(2), 213-237. doi:10.1177/1321103X13487466 My article Composing, songwriting, and producing: Informing popular music pedagogy draws on research from my dissertation and addresses an expanded perspective on creating music in the context of producing music. I make a case for broadening how we discuss and address composing and songwriting to include aspects of producing music and also suggest that… Read More »Composing, songwriting, and producing: Diversifying popular music pedagogy

Breaking Winds Bassoon Quartet: A model for contemporary musicianship and additional directions for school ensembles

During my presentation at the NAfME Composition Academy this past Music Education Week I mentioned the Breaking Winds Bassoon Quartet, but forgot to include a link to their Kickstarter Project Page in my handout. There was quite a bit of discussion related to arrangement throughout several of the composition academy presentations. Dr. Rob Deemer and Dr. David Stringham in particular provided some excellent strategies for including arrangement processes in music programs and our own music making as educators. The BWBQ… Read More »Breaking Winds Bassoon Quartet: A model for contemporary musicianship and additional directions for school ensembles