Category: curriculum

Performing Music with Digital Media

Check out Sight Machine by Trevor Paglen, Kronos Quartet, and Obscura Digital commissioned by Cantor Arts Center (recently featured on WIRED): You can also read a New York Times article by Julie Baumgardner about Sight Machine and themes of the project.  I find this collaboration interesting for some of the following reasons in relation to music learning and teaching: it explores socio-cultural issues through the arts it is driven by artistic inquiry  it combines digital media and

Sound Explorations Music Learning Playlists – Digital Media and Learning Competition 6

I am currently leading a project to develop connected learning playlists focused on music. The Sound Explorations: Creating, Expressing, Improving Communities project is an awardee of the 6th Digital and Media Learning Competition, with support from the MacArthur Foundation. Sound Explorations: Creating, Expressing, and Improving Communities, connects pre-service and in-service music educators, teaching artists, community youth organizations, and youth to create a set of six interconnected learning playlists with multiple learning pathways around the following themes:

Journal of Popular Music Education and Popular Music in Music Education

The first volume and issue of the new Journal of Popular Music Education is available for free online. Congrats to editors Bryan Powell and Gareth Dylan Smith, who were a driving force in the journal coming into existence. Some Context on Popular Music in Music Education People sometimes have the misperception that engaging with popular music in music programs is new. It is not. You can find examples of music educators in the US discussing

Expanding ensemble repertoire for diversity and inclusion

Phrases such as “the repertoire is the curriculum” have a sense of truth (though I think this is an extremely limited way of conceputalizing curriculum). Here I’m talking about the hidden curriculum, that which students learn through their engagement in school but that educators or schools do not make explicit in written or spoken form. A quick scan through an ensemble program’s repertoire can reveal much about the hidden curriculum that students experience. One way of

Extending Concerts: #StCeciliasDay Project

As part of my research and teaching, I explore possibilities of applying principles of digital and participatory culture in connection with concerts and events. How might we enhance or expand arts participation with concerts? #StCeciliasDay Project This semester, our Digital and Participatory Culture in Music course is serving as a design team in collaboration with colleagues in the ASU school of music to extend a St. Cecilia’s Day concert (taking place on Nov. 22) with participatory

Top