Phrases such as “the repertoire is the curriculum” have a sense of truth (though I think this is an extremely limited way of conceputalizing curriculum). Here I’m talking about the hidden curriculum, that which students learn through their engagement in school but that educators or schools do not make explicit in written or spoken form. A quick scan through an ensemble program’s repertoire can reveal much about the hidden curriculum that students experience. One way of
This post was updated on 8/27/16 with positive information about media arts being considered for inclusion in the California Arts Standards. The earlier post about media arts being excluded is no longer accurate. Update 8/27/16 I received the following information from my colleague Dain Olsen, who was the writing chair of the National Core Arts Standards: Media Arts Standards. Dain is currently Lead Teacher/Coordinator of Multimedia Academy, Belmont HS, LAUSD and Faculty member of Vermont College of
CNN recently featured a story on Marcelas Owens and her journey from being known as the Obamacare Kid years ago to transitioning as a transgender teen. The story addresses a number of important themes, one of which might not receive as much attention from the media, which is the power that music played in her life.
Wayne Shorter and Herbie Hancock recently wrote an open letter to artists that is definitely worth a read and would be worth sharing with students. It is particularly appropriate for students in that it is addressed to the next generation of artists on how to respond to recent global events and contemporary society. Whatever students’ plans for the future, the suggestions could serve as organizers or starting points for projects in music ensembles or classes. Much of
A recent development out of Georgia Tech’s Center for Music Technology demonstrates how robotics can be used to augment live performance. However one feels about this type of technology and its connection to human performance, I find it helpful to think through these types of developments and imagine future scenarios that might relate to or impact music teaching and learning. I’ve written in the past about robots in relationship to music and musical engagement. More recently,