Category: composers

Expanding ensemble repertoire for diversity and inclusion

Phrases such as “the repertoire is the curriculum” have a sense of truth (though I think this is an extremely limited way of conceputalizing curriculum). Here I’m talking about the hidden curriculum, that which students learn through their engagement in school but that educators or schools do not make explicit in written or spoken form. A quick scan through an ensemble program’s repertoire can reveal much about the hidden curriculum that students experience. One way of

Deep Listening in the Music Classroom

[Originally posted August, 2007 & Updated Dec, 2016] Pauline Oliveros’s Inspiration The wonderful composer and performer Pauline Oliveros, recently passed away leaving a legacy of music, ideas, and thinking about sound and people. I first came across Pauline Oliveros during my undergraduate work and remember looking at some of her vocal scores in the library stacks, fascinated by her use of the voice as sound. Years later, I remember hearing her perform with a souped up

EDM producing for music teaching and learning

Do you ever watch videos that feature musicians sharing their creative process? I find that listening to musicians speak about their music in connection with sonic examples helps expand the ways I think about and know music. It is also interesting to consider the format itself as a model for music learners to reflect on their own processes and share with others. This can serve as a great component of formative or summative assessment in learning

Orchestral hybridity and convergence: FUSE@PSO & potential for music education

Here’s another example of how professional orchestras are engaging in some of the ideas expressed in my article Toward convergence: Adapting music education to contemporary society and participatory culture: The FUSE@PSO (Pittsburgh Symphony Orchestra) initiative currently involves Steve Hackman’s arrangement of music by Brahms, Radiohead, and others in the form of mashups (as discussed in this article by Elizabeth Bloom in the Pittsburgh Post-Gazette). While in this case Hackman is creating mashups for an orchestra to perform, I

Flipping the misogynist script: Gender, agency, Hip Hop, and music education

Tobias, E. S. (2014). Flipping the misogynist script: Gender, agency, Hip Hop, and music education. Action, Criticism and Theory for Music Education, 13(2), 49-84. In my article Flipping the misogynist script: Gender, agency, Hip Hop, and music education I make a case for including Hip Hop in music programs through a critical media literacy framework and providing students diverse opportunities to address socio-cultural and musical issues through related musical engagement. In particular I address issues

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